血腥鲨港

 波莉和蒂姆夫妻以及他们的孩子贝丝、乔和弗兰——一个现代家庭被迫搬到偏远的英国乡村居住，不久后孩子们发现了一棵神奇的树以及树上奇特古怪的生物，他们攀上树顶，去到各种壮观而奇幻的地方，通过欢乐趣事和冒险挑战，这个家庭多年来第一次学会重新建立联系并相互珍惜。 影片改编自伊妮德·布莱顿的同名小说。

The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia.
　　Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage.
　　The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.

　　那是一个遥远而又让人永世难忘的时代，一位圣者将他的名字、他的精神永远镌刻在历史的丰碑之上。备受世人爱戴的上帝之子耶稣（詹姆斯·帕特里克·卡维泽 James Patrick Caviezel 饰）为生活在穷苦和磨难中的人们带去了希望和喜悦，与此同时他的存在也触犯了教廷和统 治者的利益。他拒绝着魔鬼的引诱，而门徒犹大（卢卡·莱奥内罗 Luca Lionello 饰）则抵抗不出金钱的魅力，他为此出卖了耶稣，其丑态永久留在了“最后的晚餐”之上。在此之后，耶稣被捕，当局者为他戴上荆棘做的王冠，命他背上沉重的十字架，更用带着铁刺的鞭子抽打圣人的肌肤。耶稣痛苦呻吟着，决绝地忍受当下的一切。“仁慈之父，他们什么都不知道。”
　　作为圣人，作为救世主，这是一条必须淌血走过的试炼之路……

 一群好友在度假时意外挖出一盏尘封千年的神灯，天真许下愿望，却惊觉每一次许愿都是以鲜血与灵魂为代价的致命契约 —— 灯中现身的不是善良精灵，而是以欲望为食的远古恶魔。随着同伴接连惨遭诅咒反噬、惨死，这群年轻人陷入绝境，他们必须在被深渊彻底吞噬前，联手对抗这股亲手释放的黑暗，终结这场由许愿引发的血腥浩劫。

When a one night stand with her awkward neighbor leaves her pregnant, a young woman decides to quickly sleep with a successful businessman and tell him he's the father of her unborn baby.

　　在 NYM 的反乌托邦世界中，人性和同情心几乎没有立足之地。它由只被称为“SECTION”的影子组织控制。自从 ZEA 有记忆以来，她就一直在逃亡。这是她太熟悉的敌人了。但她很快发现，科并不总是待在阴影中。真相很快就会释放她内心的怪物，并将这场战争推向光明。当心，泽亚不会哭……泽亚开枪了。而她的目的就是杀人。—朱利安·瓦格纳

丹丹殺了人躲於停車場並要求一女子載其離開現場，此女子為一黑社會大姊頭。丹丹在車上留下身分證，，此女一看極有可能為失散多年女兒，便派手下積極尋找，之後，母女二人終於相認。丹丹跟著媽媽，經歷了一段黑社會的日子…… 　　導演：楊家雲 　　演員：姜厚任∕楊惠珊∕李小飛/华方/应采灵

一个四口之家搬进一座政府廉价处理的老房子里之后，揭开了一段隐藏在房子背后的秘密。

The film is a modern-day film noir in which the sardonic, ginsoaked detective contends with an odd cast of characters while tailing a mysterious, middle-aged man traveling with a Mexican boy from Chicago to Los Angeles. John Rosow is a Chicago gumshoe whose skill for cracking a case often comes with a price; he has a penchant for getting in over his head, but he never loses his...

人到中年的范大钟公司业务发展不错，人也有些飘。但是让他闹心的是结婚十年了，妻子琳茹始终怀不上孩子。渐渐的范大钟心灰意冷了，琳茹见状也是焦急万分。两人借旅游散心的机会外出，然而，没想到这次出行却改变了两人的命运……