故事发生在2006年，时值不丹推进民主化改革，计划举行大选。为此，政府官员提前组织一场模拟选举来进行测试。在布姆唐宗乌拉格窝的乌拉镇，一位和尚奉喇嘛之命寻找两把枪，以应对国家即将出现的转变。与此同时，一位美国古董武器收藏家来到不丹，想买走和尚手中的一把珍贵的步枪。
两个自私的青少年被拖到森林里度假，在那里他们与一个凶残的食人猪养殖户展开了殊死搏斗 。
当一名失业记者在一次前世回溯活动中被催眠时，他醒来后并没有回忆起作为皇室成员或其他光鲜人物的生活，而是被一个连环杀手的记忆所困扰。
在另一个星球、另一个时空中，一千年前魔水晶遭到了破坏，从此造成了这个魔幻世界黑暗混乱的开始，千年后魔幻世界的三颗太阳将在天空中交会成一直线，如果在这个天文交会时期前，没有将缺陷的魔水晶复原完整的话，握有缺角魔水晶的邪恶史基斯一族将获的长生不老的机会，这样一来魔幻世界里的生物，将陷入万劫不复的地步，而唯一能阻止史基斯一族邪恶力量的重责大任，就落在仅存的葛弗林族人-间的身上.....
《寻找龙延香》官方预告片以角色谭（光俊）充满气概的一句话开场：“龙延香是我们村的供奉之物，谁都无权带走。”这句台词响起在紧凑的背景音乐中，为观众揭示了一段充满戏剧性的旅程，在那里忠诚、信念与亲情将面临严酷的考验。
Alec lives under a repressive society that monitors his every movement, while working at the central avatar store where customers can design and be their idealised online persona; a symbol of the EyeLight based technological revolution that Alec viscerally resists. His isolation is punctured by the arrival of Jade, an equally rebellious figure but one who plays the system far m...
在发现自己怀上了虐待狂男友的孩子后，这位堕落的音乐家必须做出选择：是解脱自己，还是继续成为她所经过的南方小镇的遗物。
On February 14, neighbors get stuck in the elevator. They are completely different people and don't know each other, but isn't this a reason to get to know each other?
This fine mixture of romance, humor, tears, and exciting action sequences stars Kevin Costner and David Grant as brothers struggling to win the Hell of the West — a world-class cycling competition — while trying to regain the respect and affection they once shared. Training and racing together they each fear the congenital ailment that struck down their father could suddenly s...
父亲决定献身上帝，入寺为僧，性格内向的小克 (Sandro) 生活一下子失去了支撑与保障。父亲出家，母亲在国外工作，父母的抛弃令这个年轻人踏上了探索自我的旅程，不仅结交了与极右翼暗通款曲的激进分子拉沙，也不断为自己性方面的困惑寻求答案。 乔治·西哈卢利泽这部处女作颇为敏锐，探讨了观察者和受观察者之间的界限何其微妙。鉴于格鲁吉亚社会仍首鼠两端，一端为宗教保守与民族主义所裹挟，另一端则对独立与现代化充满渴望，因而影片提出了「格鲁吉亚社会在后苏联时期的当下该何去何从」的问题。
Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.
