灯火归途

The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia.
　　Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage.
　　The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.

开旅游车的汉族小伙子田青春带了几位游客去藏族姑娘仁青措的白牦牛照相景点照相。仁青措无意发现田青春被人跟踪。为了了解真相尾随而去，没有想到由此引发和偷猎集团的冲突，仁青措为此献出了年轻的生命。

When Sorority sisters start dying, one member takes is upon herself to get to the bottom of the mystery.

少林寺开光大典在即，在开光大典之日向外界展览镇寺之宝灵龟胆。这一消息不仅让中国的武林人士蠢蠢欲动，就连外国的几大高手也来到了中国，打算窃取灵龟胆。少林俗家弟子袁世勇为保护灵龟胆与敌人展开了殊死搏斗。

张震因一次比赛冲动伤人入狱，出狱后张震决定改过自新，与女友一起经营生意，不再打拳。张震当年打伤的王学武的哥哥王学文得知张震出狱，决定要为弟弟出气，一再挑衅张震，张震一再隐忍，希望平静地生活，直至女友被王学文绑架，张震最终忍无可忍，与其搏斗。

故事描述必须赚钱谋生的少年，骑着摩托车，逢人就问需不需要帮忙，但总是得不到善意回应。后来好友找少年去自己家的鱼塭帮忙收成，收成结束需返还马达钥匙，好友父亲让他们一起送至邻村。然而到达时，少年发现钥匙不见了。面对已涨潮的海水，男孩说什么也要找到钥匙，因为这是他得到认可的难得机会。

　　一对即将分离的情侣彼此取暖；一位老妇人沉浸在过往爱情岁月；一对玩伴畅想移民美国，成为职业棒球球员。在古巴内陆城市圣安东尼奥德洛斯巴尼奥斯，时间似乎停滞不前，三组人物构成的情感世界在这里流动、展开。意大利导演托马索·桑坦博吉奥在这部影片中倾诉自己对古巴社会中的爱情和离别的思考。影片中三组人物不仅是导演对过去（老妇人）、现在（恋人）、将来（玩伴）的真诚思考，同时也是他对古巴社会图景的再现。导演用海浪的声音凸显陆地与海洋的关系，并使用黑白影像来颠覆人们对五彩斑斓的古巴的认知。影片入围第80届威尼斯电影节“威尼斯日”平行单元。

　　根据吉学霈的短篇小说改编。叶俊英是农业生产合作社的副社长，是出了名的好媳妇。她的丈夫李良玉是第三生产组组长，两个人生活的幸福美满。在一次生产竞赛中，因丈夫没把地锄净，被妻子插上白旗，丈夫大发脾气。李良玉的妹妹小苓批评哥哥的态度不端正，第二天在社干会上，大家都对李良玉的行为的出了批评。李良玉躲在隔壁偷听，他听到妻子不但没有批评他，而为他开脱，说他已经重新锄了遍麦地。

Tombiruo is a troubled young man, deformed, dutiful and burdened with powers that do not bend to his will. The tragic death of his father causes Tombiruo to seek revenge and punish those responsible.

萧歌在网络上认识了一个叫小刺猬的女孩，两个人因为都喜欢伊坂幸太郎的小说而互生好感，萧歌有了想见女孩的冲动，但谁知发出去的邀请被女孩婉拒。没过多久，两人因一次工作机会相见，萧歌一眼认出了合作者潘奕正是自己倾心的小刺猬，一方面希望坦白自己的真实身份，一方面又害怕潘奕拒绝，而随着工作中的相识相知，萧歌也逐渐发现了潘奕的秘密.......而这个秘密也成为了萧歌走近潘奕的巨大障碍。