雪中的女孩

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　　乱步作品

简介：

 传奇流行巨星Mother Mary（安妮·海瑟薇 饰）为了以完美形象回归舞台，找上疏远多年的好友兼前造型师萨姆（米凯拉·科尔 饰），却也掀开埋藏已久的伤疤。

简介：

佳宇3岁时，父亲在表演魔术时发生意外，随后他与母亲进京打工，留下佳宇在村中。四年后，7岁的佳宇得知父母将离婚，策划了一场“假绑架”，意图以此迫使父母和好。不料，两人竟遭真绑架，幸得警方及时营救，引发了社会对下一代健康成长的深切关注。

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　　When Danny, a guilt-ridden engineering geologist in transit to her remote Russian assignment survives a mysterious helicopter crash, she must try to escape the harsh environment. But she is not alone.

简介：

 1981年，前狙击手布鲁诺·布鲁西基被迫参与一项克格勃的阴谋，其目的是刺杀教皇约翰·保罗二世并除掉执行任务的刺客。他身陷危险的间谍活动之中，在面临内心冲突时，他所做的选择可能会改变历史。

简介：

在一个猴子栖息的村庄里发生了一些奇怪的事件，促使一对新婚夫妇和森林官员开始执行一项任务，揭开异常骚乱的根源。

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After her brother left home, Tari struggled alone to save her mother from her abusive father. Tari, who has been traumatized since childhood decided to join a support group along with Baskara. They seek salvation by opening up their heart.

简介：剧情简介暂缺，敬请期待

简介：

 一场跨越世纪、跨越海峡的白金婚礼;一个夫妻离别七十年后破镜重圆的故事;一段爱情、亲情、 乡情血泪交织的情路历程。 上世纪四十年代，在河南一个叫夏源村的地方，乡村⻘年冯念国在婚礼上被国民党抓了壮丁，后辗转去了宝岛台湾，家乡亲人天各一⽅。未入洞房就守起活寡的新娘王秀云，七十年守望如初、 痴心未改。

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简介：

马蒂亚斯是一位怀揣文学梦想的年轻人，他离开蒙特利尔的广告行业，前往法国南部成为了一名牧羊人。然而，通往他向往的田园宁静之路却充满艰辛。伊莉丝是一位毅然辞职的公务员，她的来访为马蒂亚斯的探索之旅带来了新的方向。两人携手踏上迁徙之旅，在山区的挑战和对羊群的照料中，共同开创属于自己的新生活。

简介：Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster