哈姆雷特2025
7.0 |05月29日 01:41 |HD中字
简介:

 当莎士比亚的丹麦王子化身伦敦南亚豪门的落魄继承人,古老的复仇悲剧在现代资本的血雨中重新上演。父亲离奇身亡,叔父篡位娶母,哈姆雷特在装疯卖傻中周旋于董事会的勾心斗角与伦敦街头的霓虹阴影之间。从印度教寺庙的祈祷到戏中戏的致命试探,从恋人奥菲莉亚的破碎灵魂到最终全员殒命的血腥决斗,本片以现代视角重构了这部关于权力、疯狂与毁灭的永恒史诗。家族帝国崩塌之际,唯有真相在废墟中回响……

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简介:Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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