村在天堂边

When a one night stand with her awkward neighbor leaves her pregnant, a young woman decides to quickly sleep with a successful businessman and tell him he's the father of her unborn baby.

The story charts how young Polish refugee Jan Bojarski became the biggest counterfeiter of all time, “the Cézanne of fake money”, in post-war France; how, for over fifteen years and unbeknownst to his family, this man led a double life making counterfeit money - which was “more real” than the notes printed by the Bank of France - in a shed at the bottom of his garden; and how, in all these years, this unparalleled faker managed to slip through the police’s net to become the thorn in Commissioner Mattei’s side, over the course of a hunt which fast turned into a duel for these two obsessives…

 Nature takes over when Ben (24) and his father Willem (52) decide to join a group of professional snowboarders to a remote mountain, bringing out their hidden grievances, silent connection and deep instinctual drive to help each other survive.

 约翰年届七十，独居于蔚蓝海岸的豪华酒店。他被隔壁神秘女子吸引，唤起对1960年代作为国际间谍的回忆。女子突然失踪后，约翰陷入一连串光怪陆离的回忆或幻想——魅惑的女人、邪恶的反派、血腥又迷人的往昔。他试图解开记忆的谜团，却逐渐分不清现实与幻觉。影片以致敬欧洲谍战片的风格，描绘一个被电影幻象吞噬的灵魂：旧敌是否重现？阴谋是否仍在？还是他只是沉溺于银幕的诱惑？

 童年玩伴阿狗和米哈尔住在法国南边的小村庄里，成天一起混。为了消磨时间，米哈尔时常毫不留情地数落阿狗。但这个夏天很不一样：阿狗遇见了艾莎，爱情在他们之间萌芽。嫉妒啃噬着米哈尔，而这两个朋友之间拉开的距离，将使他们彼此成长，找到自己的定义。

　　故事讲述两个关系并不好的姐妹，改编自黛西·约翰逊2021年出版的同名小说

金子真司一家经营着为被关押在监狱和拘留所的人提供慰问品服务的慰问品店。
有一天，发生了儿子的幼驯染女孩被杀害的凄惨事件。因为她的死而受到打击的一家，但犯人的母亲却来询问想要慰问品。金子一边面对犯人，一边日益感到疑惑和愤怒。
这时，他遇到了每天都来拘留所的女高中生。她不知为何要求与杀害自己母亲的男人见面。在面对两个事件谜团的过程中，金子的过去暴露在周围，动摇了家族的羁绊。

 蒂尔达是一名有数学天赋的学生，她的日子安排得十分紧凑：学习、收银、游泳、照顾10岁的妹妹艾达。因母亲酗酒、父亲不在身边，生活不如同龄人轻松。她们三人住在一个小镇里，她的朋友们早已离开这个小镇，住在阿姆斯特丹或柏林，只有蒂尔达留了下来，因为必须有人照顾艾达，赚钱，承担责任。 然而有一天，事情有了转机：一位善良的教授鼓励蒂尔达申请去柏林读博，一个充满自由希望的未来展现在眼前。这时，维克多出现了，他是伊万的哥哥。维克多和她一样，每天会在当地泳池游22个来回，以此掌控自己的生活。 但就在蒂尔达几乎相信一切都会变好的时候，家里的情况却完全失控了……

In Diciannove (translating to Nineteen), Giovanni Tortorici’s elegant, heartfelt, and daring debut, a curious student learns that the road to self-discovery is worthwhile, if not necessary, no matter how unfamiliar or daunting the path.
　　Eager to escape his overbearing mother and the only life he’s known, 19-year-old Leonardo (Manfredi Marini, who gives an exceptional performance), leaves picturesque Palermo to study in bustling London. His landing is buffered by his sister Arianna (Vittoria Planeta) and her roommate Grazia (Dana Giuliano), though the initial excitement of living abroad — and unrestricted partying — wanes quickly, and Leonardo finds himself enrolling at the University of Siena, focusing on Italian literature.
　　Back in familiar surroundings, he falls in love with the medieval city, but is not so keen on his literature professor. Seeking that indescribable feeling of knowing you’ve found your place — beyond just geography — Leonardo delves into the classics independently, spawning a soul-searching and deep interest in early modern authors like Pulci, Segneri, and Leopardi. Surrounding himself with beauty, vibrant youth, and new ideas — as well as images he’d previously repressed — his world blooms. A year into his unbound journey, Leonardo travels to Torino where he meets a man who, though much older, may finally be a contemporary — if not the key to unlocking his innermost desires.

阿莉亚和本彼此相爱，但他们之间却隔着一道高墙，这种差异是无法强行改变的。在存在差异和相互冲突的幸福的情况下，爱情还能存续下去吗？

 自打出演了《无耻混蛋》，法国女星梅拉尼·劳伦已经拍摄了六部剧情长片，大都是标准的法式剧情片。然而她一直有一个执掌动作大片的愿望。 她觉得在法国要实现这个梦想很难，法国可以拍出各种各样的小电影，你很容易成为一名导演。随着预算提升到某个数字，这突然成了一件非常困难的事。于是，借流媒体春风，她在网飞、亚马逊那里找到了机会。 为此，她接受美国电影工业残酷的一面：导演在这并不神圣，新人很容易失去最终剪辑权。劳伦克服了这些挑战，先是亚马逊的《疯女人的舞会》，再是网飞的《女僚机》。后者的女盗故事已经很接近劳伦的梦想。不过在她的抽屉一直有一个传记故事《自由》。 按照劳伦的说法，这是她的《邦妮和克莱德》，取材自法国七八十年代真实的雌雄劫匪布鲁诺和安妮。浪漫自然是她愿意呈现的元素，不过最让劳伦兴奋的，是她可以自己拿着摄影机，钻进狭小的车辆，拍摄自己想要的镜头——在同等环境下，她比男性同行更容易隐藏和移动自己。

一次露营之旅变成了一场噩梦，一群陌生人遇到了一个疯狂的小丑，随着他们一个接一个地被追捕，秘密被揭开。