有一天我们会告诉彼此一切

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 在一家制度严苛的大公司从事人力资源工作的弗伦，日复一日面试新员工，观察他们的生活轨迹。与此同时，她隐瞒了自己刚怀孕的事实，在是否将孩子带入这个不确定世界的挣扎中，逐渐面对内心的恐惧与矛盾。

简介：

讲述了以自我为中心的娱乐主持人何一在一次访谈节目中出现失误，因此事业生涯断送，并且背负上巨额债务 ，感情事业此时遭遇双重危机，为了拿到钱还债，何一只能硬着头皮帮朋友的火锅店从拉萨运牦牛，但因为托运手续出现问题，何一只能连哄带骗的让牦牛主人郝凡陪自己自驾将牦牛带回重庆，本应该是一场简单的运输，途中却频频遭遇意外，两人在川藏之路上演另类无厘头喜剧。

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一位流亡的阿拉伯作家前往北海的一个偏远岛屿，意图在此结束自己的生命。他在那里住进了一家简朴的旅馆，旅馆由一位虔诚的老妇人经营。老妇人安静的人性光辉激发了他对于生活的欲求和本能的重新觉醒。

简介：

一对老夫妇在村里过着平静祥和的生活，大儿子住在身边，小儿子在国外工作。两人家里的旧电视坏了，儿子给他们搬来了一台新电视，也给他们的生活带来了变化。儿子们的最终目标是想拆除老人居住的旧房子，盖一栋新房子。而年迈的父母不希望熟悉的事物发生变化，不希望他们的宝贵家园被毁。两代人的斗争将事件推向了最高点。

简介：

From the novel by Giacomo Mazzariol with the same title. A portrait of Gen Z.

简介：

莫娜是一位六十多岁的女性，正处于生命中的一个阶段，她想要开始照顾自己。但当她残疾的儿子意外地要有一个孩子时，她又多了一项需要应对的责任。

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Eyüp works relentlessly under the blazing sun during a tomato harvest in southeastern Turkey, driven by the urgent need to settle an impending debt. After a clash with his supervisor, he roams the city in search of a radical solution.

简介：

多年前剑南天为保护剑阁被血羽楼掳走，多年后血羽楼再袭剑阁捉拿其子剑无双，危机时刻黑宫主将剑无双救回灵霄宫。为营救父亲，给宗门报仇，剑无双在这里展开修炼，并与王源、杨再轩、苏柔结下友谊。但看似圣殿的灵霄宫暗藏危机，一次次生死考验正慢慢逼近……

简介：

　　十三岁的双胞胎女孩被安置在一个由关系不和的夫妇抚养的家庭，她们发现人们并不总是像他们看起来的那样。

简介：Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

简介：

 服刑13年的泰勒，被社会、家人贴上“废人”标签，在监狱低调行事、默默戒毒，靠给狱友理发维生，只为争取假释，与14岁的儿子团聚。新狱友迪伊的到来彻底打破平静，他的暴力与混乱将泰勒拖入监狱帮派权力斗争；一场突如其来的恶性袭击，让泰勒陷入绝境：他必须在“守护兄弟情”与“保住自由、回归家庭”之间，做出足以改变一生的致命抉择。

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