A multi-generational saga set in Alberta, Canada and centered on a family getting through life together in both happy and trying times.
In 1940, Varian Fry traveled to Marseille carrying three thousand dollars and a list of imperiled artists and writers he hoped to help escape within a few weeks. Instead, he stayed more than a year, working to procure false documents, amass emergency funds, and arrange journeys across Spain and Portugal, where the refugees would embark for safer ports. His many clients included Hannah Arendt, Max Ernst, Marcel Duchamp, and Marc Chagall, and the race against time to save them is a tale of forbidden love, high-stakes adventure, and unimaginable courage.
继喜剧系列《罗珊娜》(1988)之后,故事围绕女族长突然去世后的家庭成员展开。
安吉拉·兰斯伯里(Angela Lansbury)在《谋杀,她写的:完整第十季》的全部21集中继续扮演推理作家杰西卡·弗莱彻(Jessica Fletcher)这个广受好评和赞赏的角色。这部剧获得了41次黄金时段艾美奖提名,16次金球奖提名,粉丝们期待这部剧充满了令人震惊的惊喜和巧妙的故事情节,这一季引人入胜,讲述了杰西卡从地球的遥远角落到她在沉睡的小镇卡伯特湾的家门口调查犯罪的故事。米基·鲁尼、蒂皮·海德莉、大卫·华纳、乔治·西格尔和摩根·费尔柴尔德等出色的客串明星,每个案件都一定会让你着迷,直到最后一条线索。
纽约警察和检察官的故事,跨越15个春秋,1990年首播,至今仍受到亿万观众瞩目的长剧。 law & order第55届艾美奖最大的遗憾,已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧,这次却意外地未被提名,粉碎了它原本想要缔造的12次提名新高。 本片融警匪与法庭于一体的电视剧,片中讲述的犯罪基本原于真实生活,往往是近期报纸上的头条新闻。节目分为两部分,上半部分介绍警察研究现场,征询证人,提审嫌疑犯等一系列的侦破活动,后半部分详尽记录了案件侦破的后期工作,案件转交到检查官手里,检查官衡量案情,起诉,直到庭审,节奏紧凑,扣人心弦。由于最终坏人不一定被绳之于法,所以观众看的时候往往暗自捏一把汗。 这个剧集除了已经播出的15季之外,还包括3个特别的系列,一个是 Special Victims Unit 系列(6季),一个是Criminal Intent 系列(4季),和Trial By Jury 系列。可见其火爆程度。堪称NBC历史上,乃至美国影史上最宏伟的剧集。 "In the criminal justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. " 这是Law & Order十四年如一日,也是我百听不厌的开场白,是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩,这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力,但是近来每回看Law & Order,都彷彿只是在等待后半小时的法庭戏上,也不是说前面的办案就不精采,但是总要在进入起诉过程中才显出本剧的成熟、世故,细腻精妙处的炉火纯青;一男一女老少两位检察官的不同考量而激盪出的互动、辩证,起诉的战略方针往往不只是黑白分明的司法正义考量,而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气,Law & Order更不只是关在摄影棚里编造天马行空的离奇案件,它每回总是不犹疑地定睛盯上社会中的敏感命题。 Law & Order: 和L&O: SVU一样,是Law & Order家族的老大,Wolf Dick的作品。个人觉得它有点像一个drama版的今日说法,当然Law & Order要好很多。Law & Order的最大卖点是它的order部分。看order部分对美国criminal law和criminal procedure law有很大的了解。
梦想成为职业选手的年轻格斗士难以得到认可,直到一场意想不到的格斗让他有机会参加重量级比赛,并在笼中对战残酷的对手。
The plot revolves around Richard Bean (Kline), a Broadway star known for his egotism, who experiences a public breakdown and retreats to his hometown. After returning to the family-run theater where he first discovered his talent, he finds his father, the former artistic director, suffering from dementia. The theater, now reduced to a dinner theater serving murder mysteries, is run by his brother (Tenney) and sister-in-law, who is also the town’s mayor. Determined to restore the theater’s former glory, Richard plans to stage a great American classic, with himself as director and star, in an effort to save both the theater and the town.
你可曾做过左拥右抱、独揽三美的黄粱美梦,不过某人却把他变为了现实,他不是古代的皇帝,也不是非洲或阿拉伯的某位酋长,而是如今住在盐湖城郊外的 Bill Henrickson,他与三位娇妻、七名子嗣共同生活,当然随之而来的还有雪崩般的账单和债务。Bill正经营一家发展中的家居装修连锁店,更困难的任务是要在三位夫人间保持经济和情感的平衡,三娇妻Barb、Nikci和Margene各自独住一栋小屋,每三天轮流分享一夜自己的老公,为了整个大家庭的财政和情感不至于破产和分裂,他们不得不压抑自己的嫉妒,遵守着默认的秩序,掩盖着这惊天大秘密--一夫多妻制在犹太洲是非法的,在摩门教主流教派中也是严令禁止的。麻烦还不止来自于自己的家庭,Bill的父母--居住在犹他州乡下基督教区,以及他的岳父--一夫多妻制社团的强势头目都遇到一系列危机。
This 7-year series chronicled the adventures of the Impossible Mission Taskforce (IMF), a team of government spies and specialists who were assigned "impossible missions" by the unseen "Secretary". Although the cast varied over the years, the main characters included The Team Leader (Dan Briggs the first season, then Jim Phelps the other six), The Techno-Wizard (Barney Collier), The Strongman (Willy Armitage), The Master of Disguise (first Rollin Hand, then The Amazing Paris), and The Femme Fatale (Cinnamon Carter, Casey, Dana Lambert, Mimi Davis). The series is best known for its opening mission assignment (conducted by a pre-recorded tape), the theme composed by Lalo Schifrin, the leader's selection of mission agents from a dossier, the opening briefing, the intricate use of disguises and a typical "mask pulloff" scene near the end of most episodes, and the relative lack of characterization of the characters.