神奇女侠第一季

　　人们都说“三十如狼，四十如虎”，可女人真到了四十岁，还能在“当好母亲”、“干好事业”和“追寻个人幸福”中寻找平衡吗？Jules Cobb（Courteney Cox扮演）正打算试一试。
　　佛罗里达一个小镇上，到处可见浓妆艳抹、衣着单薄的单身熟女。她们有的不喜欢结婚，有的则刚刚离婚。为了风流快活，她们就像美洲狮追逐猎物一样，到处物色充满青春活力的年轻男人。正因为如此，这个小镇的社交中心不是名人的豪宅，也不是灯红酒绿的夜总会，而是酷男云集的高中橄榄球俱乐部……
　　Jules拼命想让自己远离这些人，但是却摆脱不了离婚的阴影，还有40双充满异样目光的眼睛，盯得她后背直发凉。她渴望生活更精彩些，这就需要她采取 “主动”。和她同龄的、合适的单身男人已经快成“稀有物种”了——例如她的邻居，绰号“银狐”的Grayson Ellis（Josh Hopkins扮演），目光从来就没离开过刚刚成年的热辣少女。让Jules感到尴尬的是，这种花花公子竟是儿子Tad（Dan Byrd扮演）的“心理顾问”。
　　在好友Elle（Christa Miller扮演）和助理Laurie（Busy Philipps扮演）的极力“蛊惑”下，Jules极不情愿地放弃“原则”，重回狂蜂浪蝶盘踞的社交圈。让她惊讶的是，她和一个叫 Bobby（Brian Van Holt扮演）的年轻男人很谈得来。美艳成熟的Jules和青春年少的Bobby，他们身上都有对方欣赏的东西，巨大的年龄差异是他们唯一的障碍。

 Starz公布了《血肉之躯》（Flesh and Bone）的剧照，并宣布该剧近日正式开机拍摄。该剧是一部以芭蕾舞为背景的黑色剧集，故事主要描述外表华丽光鲜的芭蕾舞世界所隐藏的「肮脏」的幕后秘密。年轻的芭蕾舞演员Claire Robbins（Sarah Hay）如愿加入纽约最富盛名的芭蕾舞剧团，但她有一段不堪回首的往事，这导致她的情感很脆弱，有自毁倾向。她既是个单纯的天真女孩，也是个极具野心的世故女孩。她是个有天赋的舞蹈演员，但她的心魔和过于脱离实际的志向可能驱使她走上一条未知的道路。

　　纽约警察和检察官的故事，跨越15个春秋，1990年首播，至今仍受到亿万观众瞩目的长剧。
　　law & order第55届艾美奖最大的遗憾，已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧，这次却意外地未被提名，粉碎了它原本想要缔造的12次提名新高。
　　本片融警匪与法庭于一体的电视剧，片中讲述的犯罪基本原于真实生活，往往是近期报纸上的头条新闻。节目分为两部分，上半部分介绍警察研究现场，征询证人，提审嫌疑犯等一系列的侦破活动，后半部分详尽记录了案件侦破的后期工作，案件转交到检查官手里，检查官衡量案情，起诉，直到庭审，节奏紧凑，扣人心弦。由于最终坏人不一定被绳之于法，所以观众看的时候往往暗自捏一把汗。
　　这个剧集除了已经播出的15季之外，还包括3个特别的系列，一个是
　　Special Victims Unit 系列（6季），一个是Criminal Intent 系列（4季），和Trial By Jury
　　系列。可见其火爆程度。堪称NBC历史上，乃至美国影史上最宏伟的剧集。
　　"In the criminal justice system meijubar.net, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. "
　　这是Law & Order十四年如一日，也是我百听不厌的开场白，是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩，这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力，但是近来每回看Law & Order，都彷彿只是在等待后半小时的法庭戏上，也不是说前面的办案就不精采，但是总要在进入起诉过程中才显出本剧的成熟、世故，细腻精妙处的炉火纯青；一男一女老少两位检察官的不同考量而激盪出的互动、辩证，起诉的战略方针往往不只是黑白分明的司法正义考量，而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气，Law & Order更不只是关在摄影棚里编造天马行空的离奇案件，它每回总是不犹疑地定睛盯上社会中的敏感命题。

　　午夜凌晨，警长詹姆斯•海斯被呼叫至当地的墓园，突然眼前发生的一切彻底颠覆了他的世界观，六个死去的人赤裸着身体从墓穴里爬了出来......

记录6名男子面临金融海啸，他们赌上一切，包括家庭、自尊，有时甚至是生命，想在阿拉斯加荒野开采金矿致富。受到父亲杰克影响，塔德霍夫曼率领一群新手矿工前进新边疆，要拯救家人脱离贫困深渊……塔德霍夫曼孤注一掷，结果输到脱裤。他的事业低潮归咎于他带著父亲杰克、戴夫杜林、吉姆塞伯，以及其他霍夫曼团队前往南美洲盖亚那丛林，希望能藉此一举致富……

　　这是布鲁斯·威利斯的一部颇受欢迎的侦探系列剧。他在其中饰演男主角大卫·艾迪森，女演员西碧尔·谢弗德扮演他的搭档。布鲁斯·威利斯处处与别人唱反调而引发的一系列幽默效果，使该剧赢得公众的普遍喜爱。该剧在1985年以后的四年中一共播放了高达57集之多。

　　跟随 BuzzFeed 的记者们调查各种话题，从怪异的互联网热潮到鸦片使用者的安全注射站不一而足。

　　《亲爱的白种人》是一部反映美国“后种族歧视”时代的讽刺喜剧，故事发生在一所知名的常春藤大学，平静的表面下藏着激烈的种族矛盾，学生们既要寻找身份认同，又要培养独特个性，而这也是一个普世议题。这部讽刺剧集延续了 2014 年备受赞誉的同名电影的故事，跟随温彻斯特大学的一群黑人学生展开一幅幅关于社会不公、文化偏见、政治正确（或缺少政治正确）和被误导的激进主义的千禧年画卷。《亲爱的白种人》通过荒诞的视角，用尖锐的讽刺、幽默自嘲和略显残酷的坦诚态度反映困扰当今社会的问题，欢笑始终贯穿其中。

故事发生在第二次世界大战期间，人们亲临了在广岛和长歧上空的蘑菇云之后，科学与应用科学的碰撞带来的灾难性对于我们世界的持续安全性来说，是显而易见的。美国几乎在核竞争中失败。世界不会再冒险召唤一次死亡的蘑菇云。在阿尔伯特·爱因斯坦和一些值得信任的顾问的帮助下，亨利·S·杜鲁 门总统授权在偏远的大西洋西北进行一个住宅区发展计划。这是一个保护并且照料美国最有价值的脑力资源的地方。在那儿，我们国家最伟大的思想家，超级天才们致力于创造科学成就的新纪元，而他们的生活和工作会得到非常好的支持氛围。最好的建筑师和规划师们被委任为这些天才们设计一个受欢迎的地方定居。这个地方能为他们的孩子提供最好的教育，最好的医疗服务，最好的生活福利设施以及生活质量。这个社区的建设堪与美国最优美的田园风光小镇相媲美。只是它们之间有个重要的区别：这个小镇不会出现在任何地图上。至少无一不是被五角大楼划分于“只有眼睛”之类。 就这样尤利卡小镇诞生了。但是对于所有熟知小镇的人来说。小镇拥有一切，但没有秩序。老派而健忘的教授因为某种原因而存在于小镇上；在过去五十年间，大多数科技上的突飞猛进都是尤利卡镇的精英研究者们取得的。然而不幸的是，科学的探索总是出乎人们的意料。经年的试验走了歪路，产生了怪异的副产品。 从单相思到职业妒忌，从瘾君子到沮丧，尤利卡小镇人的问题源于每天生活中的大量挑战。由于小镇上人们无双的天赋，混乱的心理状态和短缺的资源，这些小镇的忧虑逐渐成为了一个大问题。在人性弱点和超级科学碰撞的十字路口，小镇开始…

　　Filming is underway on series four of critically acclaimed ITV1 detective drama, Grace, starring John Simm as Detective Superintendent Roy Grace and based on the best selling novels from globally renowned author, Peter James.
　　Set in Brighton, Grace also sees returning cast members Richie Campbell (Top Boy, Stephen) as DS Glenn Branson, Zoë Tapper (Liar) as Cleo Morey, Craig Parkinson (Line of Duty) as DS Norman Potting, Laura Elphinstone (Chernobyl) as DS Bella Moy, Brad Morrison (Dinosaur) as DC Nick Nicholl and Sam Hoare (The Capture) as ACC Cassian Pewe.
　　This series will also feature renowned TV and theatre actor, Robert Glenister (Sherwood, Hustle).
　　Commented John Simm:
　　“I’m so pleased to be back on set, filming series four of Grace. Four of Peter James’ Roy Grace novels are being adapted for this series and Grace fans will be pleased to know the stories are as dark as ever with lots of twists and turns.”
　　Commissioned by ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones, the new series comprises four feature length films (4 x 120 mins) based on Peter James’s novels. Huw Kennair Jones will oversee production from ITV’s perspective.
　　Viewing figures for series three have so far averaged over 5.6m per episode, an increase on series two, with the first episode consolidating at 6.7m.
　　Commented Huw Kennair Jones:
　　“We're thrilled to be making another series of Grace. John and the team continue to bring Peter's brilliant characters and stories to life in such an exciting way. It's also great to be working with Tall Story and Vaudeville Productions again as we head back to Brighton for four brand new cases.”
　　Executive Producer Patrick Schweitzer said:
　　“I’m delighted we are getting to adapt another four of Peter’s wonderful books for ITV and it’s great to have the cast and crew back together filming in Brighton.”
　　Author Peter James said:
　　“As a writer, the chance to have such a phenomenal and collaborative cast and crew to bring my novels to life continues to be a dream come true. Audiences have so generously embraced the series with such enthusiasm and I cannot wait for Roy Grace fans, old and new, to see these four new episodes.”
　　Grace is a co-production between Tall Story Pictures, part of ITV Studios, and Vaudeville Productions. Executive producers are Patrick Schweitzer for Tall Story Pictures, and Andrew O'Connor and Paul Sandler for Vaudeville Productions, Kiaran Murray-Smith and Peter James. International distribution is handled by ITV Studios.
　　Writers for this series are Ed Whitmore for episode one, Ben Court and Caroline Ip for episode two, Tony Marchant for episode three and Jess Williams for episode four.
　　Brian Kelly will direct episode one, Billie Eltringham directs episode two and Kiaran Murray-Smith is also the series producer.
　　The first film in the new series is called Dead Man’s Time. A vicious robbery at a secluded Brighton home, draws Grace and Branson into a puzzling enquiry when thousands of pounds worth of beautiful antiques are stolen from the house. As Grace digs deeper into this mysterious crime, he unearths a web of ancient grudges - a web which leads him down a dark, murderous trail through the world of Brighton antiques, in a race against the clock, to untangle who is at the heart of this robbery, and bring Gavin Daly the answers he has been desperately chasing for many years.
　　In episode two, Want You Dead, Grace and Branson investigate a case where nothing is truly as it first appears. When an unidentified victim is found dead in curious circumstances, the post mortem reveals more questions than it does answers. As Grace works to identify the body, hoping this might provide some crucial clue as to the killer’s motive, he soon has another death on his hands when a second victim shows up in central Brighton, discovered in similarly bizarre circumstances.
　　You Are Dead is episode three in which Grace and Branson are thrown into what is possibly their most disturbing and high-profile case yet, when an unsettling discovery of skeletal remains is unearthed by workmen digging up a path in central Brighton. Meanwhile, across the city that same morning, a victim is snatched in broad daylight. With no witnesses and no sign of who took her, Grace starts to suspect whether the victim’s fiancé is lying to the police.
　　The final episode in the series is Love You Dead. When a known Brighton burglar is found dead in his car, in gruesome circumstances, his wife claims that he had turned over a new leaf, but all the evidence points to the fact the victim may still have been up to his old tricks and was breaking and entering on the night he was killed. As Grace and the team work to hone in on the circumstances leading to the victim’s death, Roy receives a call from a US police contact about a crime abroad which bears the hallmarks of a mafia hit. The police are keen to trace a woman they believe to be from Brighton, who could be in danger. As Roy scours the city to help find her, it becomes apparent he isn’t the only one looking for this mysterious woman.