灵魂侵占
2.0 |05月29日 |HD中字
简介:

 痛失爱女的妮可与塞巴斯蒂安,意外继承了委内瑞拉一处偏僻的农场。二人带着破碎的希望来到这里,试图在与世隔绝的环境中重建生活。然而,农场周边的甘蔗林里,总回荡着若有似无的诡异哨声,当地流传的邪灵传说也逐渐浮出水面。一群自称能与死者沟通的邪教徒闯入他们的生活,声称能帮妮可与女儿对话。随着仪式的推进,黑暗力量悄然苏醒,那令人毛骨悚然的哨声,正一步步向他们逼近。

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简介:Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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